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Someone Else's D​é​jà Vu

by Son Ambulance

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1.
There’s a torn newspaper floating in the morning traffic It could be The Boston Globe or The Evening Post As the latest candidate celebrity push and shove to climb on top Emily here’s your stop Lately I’ve been patiently awaiting your arrival at the station longing for the thrills that only you could bring In the invisible crowd you could dream out loud and no one would give a care you’re leaving them out So eager to prove my every doubt Gone gone gone you can do what you really feel and forget anything about me uh huh Bom bom bom here we go driving singing in my car this long-distance harmony I took to an abstractionary look at the sky I declared a holiday on any day of July but every day is Strangers’ Day in New York City you say in Emily’s mirror smile needle in the haystack that you always seemed to find you could spin your little yarn you could thread it through my eye you could puncture the ellipse of a midnight star painted blue with its lens on you, and Emily you’d see through na na na everybody adding to the hate collection thanks for your contribution bom bom bom better get set for the next commercial boom who’s buying you At the top of the world you can dance all day and your heart goes bom bom bom bomba dum bum When your ashes are blown from the fire pit and your heart says bom bom bom bom bom She’s out dancing with Marisa in the street wearing your old shirt Shoo-doo-shomp-ing down the sidewalk Stick-em-up at a margarista as a cover to the mix tape your girlfriend dubbed onto both sides She’s a bold inventors heart my favorite dot on the map she could shake a can of spray paint to the One Note Samba at the bus stop in the toupee is the singing girl
2.
We met in some enchanted forest We met far beyond the city walls We waited for the bells to call Lizeth And there’s a song that makes you weep as it plays on the stereo And lately it’s all I’m singing as I run to catch your hand and it feels so nice with a girl that’s kind and it feels so nice love her all the time and it feels so nice with a girl that’s kind and it feels so nice... You could join her in the morning Have breakfast in the garden you can run through yellow fields of grass To hear the evening bells resound listen To hear the evening bells resound I really love her I tried to bring her into my world showed her my guitar and I gave her some cloves I shaved her legs, took her out to a show but that’s just a story from long long ago High on a cloud when your hand clasps mine Girl your sweet smile heals my heart Would you please to help me skip along the cobblestone On the path to Gaberon where elks and fairies raised her Spin around and see her laughing let the echoes fill your pagan mind As she waves to you in passing you can hear the midtown dragon sigh Lizeth floating over Minstrel Town I think I know her riding shining unicorns I really see her secret creatures strange and pure lay beside her magic flutes and harpsichords in her hair
3.
When I think of you I think good old times green and gold times Times too lovely When I’m down and blue I just pick up the phone I know your love’s with me when I walk alone When you walk alone it’s a long road a winding boulevard to heal a broken heart When you walk alone The fragrance fresh-cut lawn chlorinated swimming pool Together we jump With next to nothing on We jump the swaying fence As lightning takes the stage It takes with it our clothes and this is what we make A dream to drift along A tempest passing through These resilient trees Older than me or you When I dream of love When you think of me it’s a bold lie You always walked the line A tightrope I could shake and when you walk alone I always follow suit Vanish into a crowd It’s fun to follow you When you walk alone...
4.
Wild Roses 04:03
It’s so easy to break a heart when you are bold Then you find out it’s something that you can’t own It’s easy to want love it’s easy to fall Through a bed of wild roses when she comes to call you could ask her to dance stay up all night drinking beer I can’t believe I stopped lovin’ you we were young it was really true I can’t have you back but it’s not too late for you to love her oh oh oh oh love her You’re crazy for love so why not take a chance You’ll end up all alone in the suburbs of France Never got married never had kids There’s no one to take care of you Be so worn out from worried love you’re afraid to get the rug taken out from under you oh oh oh oh love her (you’re so worn out) love her just love her She’s a friend that you could turn to Tables of love could turn on you baby if you don’t know what you should do just love her
5.
Horizons 02:52
There’s a hand in my pocket searching for change There’s a man in the mirror; his hair is turning gray His first-class crash in through the air caused him despair and I lost my copy of Vanity Fair Now that you’ve come this far can you accept who you are Horizons With eyes staring wide open an African child taught me not to blink and I couldn’t smile so I spoke to the silence drawn with a rope frayed with laughter from a well of clear water the remnants of hope echoed after now the hating's been done and you have no qualms with anyone Horizons My friend you don’t have to wait much longer to be free again darling I was hoping I would find you I wanted to see you today okay we’ll get together some day I can’t wait to see you some day in the rain darling we’ll get together some sweet day they say love ain’t free but I say (let us be elephants let us be elephants) I was hoping I would find you I wanted to see you today baby I can’t wait
6.
Did you get the pictures I left in your mailbox yesterday  I really wish I’d sent them much earlier when you weren’t so far away I spoke to my advisors but i can’t decide which class to take and since you left for college what can I teach you now what can they teach us babe When you were young I saw you frolicking about the public square blowing kisses to the children like some wandering saint or a clown you have found today and when I find the chance to tell you with my strength I wish you well with a voice so filled with longing for a purpose or a home I’d say this is every letter I never wrote every dream I never told every selfish aspiration yesterday morning after all is said and done I give the world to you to see you through A heavy cardboard storage box was thrown in your back seat you were driving For several years of notebook lines must’ve slipped off the corner of the bed where we slept They burst over the landscape like feathers from cage is this the heart i’ve grown to love or just a crinkled page at such a fleeting age there I found the confidence and gall it takes to chase our broken plans to claim a stolen seashore will i drift inside a bottle until it lands I have nothing to give you so I’m borrowing your coat this is every letter I never wrote every tear I meant to cry every long slow goodbye yesterday morning after all is said and done I give my love to you to see you another time ‘cause now you’re back on track tomorrow’s facing you what can I do
7.
Constellations take on meaning Dim light of the suns Staring back from the dusty black they know where I’m coming from Seeds of unforgiveness as twisted trees return tops of buildings the school steps city shapes unlearn It’s highway robbery on your technology where the road has been misled  You know when Edison’s invention just won’t light up in my head We grasp the saps of forest thoughts cementing with our hands we try to give the ground some floor the sky some place to land  We stole the dark of the ocean and we named it night  put a switch up to the wall we cut holes in the doors Left the future unlocked for you Washed and dried and hung up all your clothes  in one sleeve there was a letter enclosed  said i had formed attachments to these rags  the way they draped your form so fluidly covered all my plans  but since you spilled the grape store vines and jilted lives of your finest things and wedding rings were swept out on the porch You won’t be playing dress up in my illusions anymore the one I adore counting hairs on a head is wearing quite thin It’s a lousy game I know that I can’t lose my shadow
8.
And 00:43
9.
Juliet's Son 03:50
yeah roll the top down kick it back 60 degrees if you let you feel it you feel it don’t keep worryin’ ‘bout the pop charts baby climate if you wish slide up next with James Dean or just step back and tap your feet clipped out your magazine the picture of a beauty queen don’t pull the trigger like Claudine you know love can hide a scandalous scene and now its tuggin at your strings makin you sing but can’t get you through the booth into the sleeves singin’ me and Juliet’s Son happy dagger through the lung but maybe you’re not that Maybe you’re not that dumb playin house now you’re fallin off the couch this machine gonna turn us into somethin’ fed up and it keeps comin back all the regrets don’t call ‘em back me and Juliet’s Son the girls are dressing you in a new-bought vintage suit but they can’t reach you when your 5’ 2” swimmin me and Juliet’s Son in 2051 you still be playin them drums climbing up the rungs for your million dollar song if only she stood well hung cause maybe you won’t die maybe you won’t die young
10.
The Renegade 04:45
Stayed dead-still a long while I hardly bat an eye  Like you traveled to a deserted town as a guest you came a-wandering by Like a trash mop clawing the floor or does the chain and ball suit you more Baby don’t set your mind to be a trap door no more You can tango with the neighborhood boys they won’t step on your feet and you can put the red light on  you can put it all the way on for me and the kids wearing their daddy’s clothes moving trucks over the ballroom so slowly  They took you for a madman before  They could never dream of half what you conceive is that really what you need baby don’t look away no more baby don’t listen to what you say no more baby don’t make your heart a jail no more Desert leaves turn green go play splash in rivers dance in rain your love will lay you in her flat deer bed lay in wait for the season to pass You got slapped with heavy law She ain’t keen on takin’ calls she ain’t fit to love a fall this wrong ooh renegade Stayed there still a long while hon I never bat an eye There’s a dance hall in this dust bowl town I guess you were water in my eye You can put your blue dress on let the moonlight twirl you around and around  as the crew-cuts play an average sound  like a slow song calling you back to see your girl  when you’re home sick home when you’re severely playing hide-and-sulk  She’ll take you for your sweet time Joe  spend your lifetime tryin’ to change how you perceive is it really what you believe baby don’t look away and I won’t look away  baby don’t listen to what you say no more baby don’t make your heart a jail no more
11.
Awakening 04:41
Woke up in an old canyon I remember like this Hung my neck in the shower and the sun painted a face on the wall The melodies came back to me Didn’t sound just like that The smoke from my mouth went beautiful like medicine spinning on the table Piles of papers move themselves miles around my room like a tiny speck of dust my breath could stick to a needle or some constellation in the sky There’s toothpaste in the mirror Didn’t think it was like me to stand still for so long Couldn’t stand another spring day Watching clouds fill black and bridges collapse I got your back cat stay stray working 20 hour days for the Red Cross These hours only have time for you When beauty hides and eyelids veil and you’re too tired to remove it Let all your weight fall whoever you are there’s no shame in crying Shrink down to a single point don’t you wish you were growing up but you can’t turn back since you changed your mind no it did just change there was no point trying to keep it under control These hours only have time for you when you’re safe within these canyon walls you’re hanging around to forget it all that you call it home it makes you proud So you laugh out loud with the shameless crowd It’s a zoo downtown
12.
With every passible fate i’m tearing pages out my tome now with its covers blown open so let me lay here awhile beneath a canopy of woods to watch an air balloon parade Till daylight’s vanished into the ashes of yesteryear’s pyre It’s so wonderfully sour in the first morning hour Peggy, I’m sleeping strange the bed’s unmade I’m falling into space weeping lamp lines’ blurry arms that could reach my bleary eyes on a bus ride from LA in the dead of night on my death bed I awaken trembling bad what a dreadful dream to see what a sick nightmare to have with a murderer staring back from my looking glass feels so right to hold you through the weekend hanging over Peggy, the plans have changed a new year waves hello and with such a pretty face every day I go to school every day I follow the ruse if I don’t know why I keep dying to cherish the life, the game so many lose you are born you grow old it’s nothing new let me look at you you’ve gotten so tall every day yeah yeah Save your goodbye for Stalingrad
13.
Goodbye honeybee Goodbye harmony The road I have taken down on love I have fallen from Open all your silver blooms Cinquefoils in ivory tombs Close your eyes and pretty soon it’s all a blur I can’t see you at all So long waterfall Goodbye crystal ball I will see you [at the break of dawn] Turning system nebulae like tines of music cylinders The vehicle displaced from where we take the joy as we escape to reach a void floating alone Goodbye womb I was sleeping in Farewell pulse I was drowning out the calm ringing in my ears I’m so numb I can’t hear you at all

about

After more than three years since their last release, Son Ambulance emerges from hibernation deep in a realm of exotic 60's and 70's LPs for their third full-length, Someone Else's Déjá Vu, a bold leap back into the music world and the band's most challenging work yet. Primarily a Joseph Knapp solo effort, collaborating closely with former/current member Jeffrey Koster, Someone Else's Déjá Vu marks a departure from 2005's Key, offers a sharper glimpse into Knapp's distinct song-writing abilities, and reflects a depth of complexity and dream logic made perfect for a sublime musical experience capable of engaging many new listeners of any age.

Collectively, the songs form a cohesive palette of subtle pop psychedelia encompassing myriad musical genres. "A Girl from New York City" starts off the album a bustling, fast-paced samba with serene, melodic vocals à la Marcos Valle and tumbles into a street carnival of whistle and voice cuica leads. "Legend of Lizeth" slides right into another world, equal parts Pink Floyd and Tommy James with a five-part a-cappella break. Elsewhere on Someone Else's Déjá Vu, tracks make use of rich analog synths, double bass, saxophone and vibraphone, played by various Omaha musicians including members of Tilly and the Wall, and The Faint.

credits

released July 8, 2008

2008 Saddle Creek

Recorded by AJ Mogis at ARC Studios in December 2007
Mastered by Doug Van Sloun at Focus Mastering in January 2008
Produced by Joseph Knapp, Jeffrey Koster, and AJ Mogis
Mixed by AJ Mogis at ARC Studios
Album design by Son Ambulance
Collage and drawings by Teal Gardner, paintings by Lonnie Methe
Layout by Zack Nipper

Thank you AJ, Tilly and the Wall, Neal Knapp, our parents and all who contributed to this production.

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